Dave Ball, one half of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.
Together with singer Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is regarded as a seminal work of electronic music.
He subsequently formed the innovative electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.
Ball passed away peacefully in his rest at his home in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
At that show, Ball performed in a wheelchair, as he had for the last two years, following a spate of health issues.
"I ended up injure myself significantly," he commented in a recent interview. "I broke spinal bones in my back and fractured about multiple ribs and fractured my arm."
Following catching pneumonia and developing sepsis, he was put in an induced coma and remained in hospital for half a year.
Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a new album with Almond, titled Danceteria, which is scheduled for release in the coming year.
"He was concentrated and so happy with the new album that we literally finished only a short time ago," stated the vocalist in a tribute.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.
"Thank you Dave for being an significant part of my life and for the music you created with me. I wouldn't be where I am without your influence."
His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".
"Forming a partnership with someone is distinct from joining a group, the connection is very tight," he added.
"That was the case with us. We went through so many remarkable, incredible, life-affirming experiences together. Many thanks, Dave."
Born into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half of age.
He was raised in Blackpool with adoptive parents his caregivers, who changed his given name from Paul to his adopted name, alongside his younger sister Susan, who was also adopted.
He met Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the same year, and promptly recorded an EP.
The duo were an unusual pairing: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a unique musical alchemy.
Ball had developed a fascination with electronic instruments after viewing the band Kraftwerk perform on BBC program a popular series, and started to marry dark electronica to the catchy tunes Almond was writing.
Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting millions of copies globally. Together with successful tracks by Gary Numan, Human League and Ultravox, it contributed to cleared the path for the synth-pop sound of the 1980s.
The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the stand-alone single, Torch, which peaked at the second position in the following year.
Fame had its benefits. "I loved being able to purchase my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball recently shared with a publication.
But it also presented challenges. "Sudden riches allowed we could purchase substances to relieve the monotony" of media interviews and television shows, Ball explained.
"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many bands."
Amidst the party-filled existence, the duo were also growing distant, but they managed to produce a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.
They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.
Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting partnership.
Soft Cell reunited in 2001, releasing the Top 40 album Cruelty Without Beauty.
After another break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, that year.
Yet, they stayed together, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.
Ball lately characterized the band's new album as a tribute to the New York club scene they frequented while recording their initial records.
He added that his time in hospital had influenced the band's sound.
"I had strange recollections when I was in and out of the hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 1980s."
The final mixes were finished only days before Ball died. It is due for release in the spring of 2026.
A tech enthusiast and rewards expert with a passion for uncovering the best prizes and trends.